![]() But now I was thinking about starting it directly on the one. That’s musical parlance for just after the first beat. In the demos that I’ve included here, it started on the and of one. ![]() But sweating the details is part of who I am.Īnother detail that I couldn’t stop thinking about was on which beat the verse melody should start. Capo on 1st fret ) Verse 1 E B7 Hey Jude, don't make it bad E Take a sad song and make it better A E Remember to let her into your heart B7 E Then you can start to make it better Verse 2 E B7 Hey Jude, don't be afraid E You were made to go out and get her A E The minute you let her under your skin B7 E Then you begin to make. Though I ended up going with the third one, would it have mattered if I went with the first? Would it have impacted anybody’s enjoyment of the song? Probably not. “Slow it down / You’re a crazy child / What’s the point / Of another mile?” “Slow it down / You’re a crazy child / Move too fast / And you’ll forget to smile” “Slow it down / You’re a crazy child / Take the lead / And you’ll forget to smile” Here are three different versions from those drafts. I used the line “Slow it down / You’re a crazy child” - an allusion to Billy Joel’s “ Vienna ” - in every version, but I could not settle on the other lyrics. On the top and the right, I’ve written seven different versions of the bridge. ![]() Trying to workout the bridge to “ Move On Up ”
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |